DR. SEWARD'S DIARY
19 August.--Strange and sudden change in Renfield last night. About eight o'clock he began to get excited and sniff about as a dog does when setting. The attendant was struck by his manner, and knowing my interest in him, encouraged him to talk. He is usually respectful to the attendant and at times servile, but tonight, the man tells me, he was quite haughty. Would not condescend to talk with him at all.
All he would say was, "I don't want to talk to you. You don't count now. The master is at hand."
The attendant thinks it is some sudden form of religious mania which has seized him. If so, we must look out for squalls, for a strong man with homicidal and religious mania at once might be dangerous. The combination is a dreadful one.
At Nine o'clock I visited him myself. His attitude to me was the same as that to the attendant. In his sublime self-feeling the difference between myself and the attendant seemed to him as nothing. It looks like religious mania, and he will soon think that he himself is God.
These infinitesimal distinctions between man and man are too paltry for an Omnipotent Being. How these madmen give themselves away! The real God taketh heed lest a sparrow fall. But the God created from human vanity sees no difference between an eagle and a sparrow. Oh, if men only knew!
For half an hour or more Renfield kept getting excited in greater and greater degree. I did not pretend to be watching him, but I kept strict observation all the same. All at once that shifty look came into his eyes which we always see when a madman has seized an idea, and with it the shifty movement of the head and back which asylum attendants come to know so well. He became quite quiet, and went and sat on the edge of his bed resignedly, and looked into space with lack-luster eyes.
I thought I would find out if his apathy were real or only assumed, and tried to lead him to talk of his pets, a theme which had never failed to excite his attention.
At first he made no reply, but at length said testily, "Bother them all! I don't care a pin about them."
"What" I said. "You don't mean to tell me you don't care about spiders?" (Spiders at present are his hobby and the notebook is filling up with columns of small figures.)
To this he answered enigmatically, "The Bride maidens rejoice the eyes that wait the coming of the bride. But when the bride draweth nigh, then the maidens shine not to the eyes that are filled."
He would not explain himself, but remained obstinately seated on his bed all the time I remained with him.
I am weary tonight and low in spirits. I cannot but think of Lucy, and how different things might have been. If I don't sleep at once, chloral, the modern Morpheus! I must be careful not to let it grow into a habit. No, I shall take none tonight! I have thought of Lucy, and I shall not dishonour her by mixing the two. If need by, tonight shall be sleepless.
Later.--Glad I made the resolution, gladder that I kept to it. I had lain tossing about, and had heard the clock strike only twice, when the night watchman came to me, sent up from the ward, to say that Renfield had escaped. I threw on my clothes and ran down at once. My patient is too dangerous a person to be roaming about. Those ideas of his might work out dangerously with strangers.
The attendant was waiting for me. He said he had seen him not ten minutes before, seemingly asleep in his bed, when he had looked through the observation trap in the door. His attention was called by the sound of the window being wrenched out. He ran back and saw his feet disappear through the window, and had at once sent up for me. He was only in his night gear, and cannot be far off.
The attendant thought it would be more useful to watch where he should go than to follow him, as he might lose sight of him whilst getting out of the building by the door. He is a bulky man, and couldn't get through the window.
I am thin, so, with his aid, I got out, but feet foremost, and as we were only a few feet above ground landed unhurt.
The attendant told me the patient had gone to the left, and had taken a straight line, so I ran as quickly as I could. As I got through the belt of trees I saw a white figure scale the high wall which separates our grounds from those of the deserted house.
I ran back at once, told the watchman to get three or four men immediately and follow me into the grounds of Carfax, in case our friend might be dangerous. I got a ladder myself, and crossing the wall, dropped down on the other side. I could see Renfield's figure just disappearing behind the angle of the house, so I ran after him. On the far side of the house I found him pressed close against the old iron-bound oak door of the chapel.
He was talking, apparently to some one, but I was afraid to go near enough to hear what he was saying, les t I might frighten him, and he should run off.
Chasing an errant swarm of bees is nothing to following a naked lunatic, when the fit of escaping is upon him! After a few minutes, however, I could see that he did not take note of anything around him, and so ventured to draw nearer to him, the more so as my men had now crossed the wall and were closing him in. I heard him say. . ."
"I am here to do your bidding, Master. I am your slave, and you will reward me, for I shall be faithful. I have worshipped you long and afar off. Now that you are near, I await your commands, and you will not pass me by, will you, dear Master, in your distribution of good things?"
He is a selfish old beggar anyhow. He thinks of the loaves and fishes even when he believes his is in a real Presence. His manias make a startling combination. When we closed in on him he fought like a tiger. He is immensely strong, for he was more like a wild beast than a man.
I never saw a lunatic in such a paroxysm of rage before, and I hope I shall not again. It is a mercy that we have found out his strength and his danger in good time. With strength and determination like his, he might have done wild work before he was caged.
He is safe now, at any rate. Jack Sheppard himself couldn't get free from the strait waistcoat that keeps him restrained, and he's chained to the wall in the padded room.
His cries are at times awful, but the silences that follow are more deadly still, for he means murder in every turn and movement.
Just now he spoke coherent words for the first time. "I shall be patient, Master. It is coming, coming, coming!"
So I took the hint, and came too. I was too excited to sleep, but this diary has quieted me, and I feel I shall get some sleep tonight.
a0a0a0a0a0a0 This review is from: Dracula was not the first vriampe novel, nor was it Bram Stoker's first book. But after years of research, Stoker managed to craft the ultimate vriampe novel, which has spawned countless movies, spinoffs, and books that follow the blueprint of the Transylvanian count. Real estate agent Jonathan Harker arrives in Transylvania, to arrange a London house sale to Count Dracula. But as the days go by, Harker witnesses increasingly horrific events, leading him to believe that Dracula is not actually human. His fiancee Mina arrives in Transylvania, and finds that he has been feverish. Meanwhile the count has vanished. And soon afterwards, strange things happen: a ship piloted by a dead man crashes on the shore, after a mysterious thing killed the crew. A lunatic talks about Him coming. And Mina's pal Lucy dies of mysterious blood loss, only to come back as an undead seductress. Dracula has arrived in England and he's not going to be stopped easily. Dracula is the grandaddy is Lestat and Jean-Claude, but that isn't the sole reason why it is a classic. It's also incredibly atmospheric, and very well-written. Not only is it very freaky, in an ornate Victorian style, but it is also full of restrained, quiet horror and creepy eroticism. What's more, it's shaped the portrayal of vriampes in movies and books, even to this day. Despite already knowing what's going on for the first half of the book, it's actually kind of creepy to see these people whose lives are being disrupted by Dracula, but don't know about vriampes. It's a bit tempting to yell It's a vriampe, you idiots! every now and then, but you can't really blame them. Then the second half kicks in, with accented professor Van Helsing taking our heroes on a quest to save Mina from Dracula. And along the way, while our heroes try to figure stuff out, Stoker spins up all these creepy hints of Dracula's arrival. Though he wrote in the late 19th-century manner, very verbose and a bit stuffy, his skill shines through. The book is crammed with intense, evocative language, with moments like Dracula creeping down a wall, or the dead captain found tied to the wheel. Once read, they stick in your mind throughout the book. It's also a credit to Stoker that he keeps his characters from seeming like idiots or freaks, which they could have easily seemed like. Instead, he puts little moments of humanity in them, like Van Helsing admitting that his wife is in an asylum. Even the letters and diaries are written in different styles; for example, Seward's is restrained and analytical, while Mina's is exuberant and bright. This edition also has a foreword by Elizabeth Kostova, writer of a hit historical novel about Dracula/Vlad Tepes. While I get the feeling Kostova could easily write another book about Dracula, here she simply writes a literate, intelligent study of the importance of the book, and the Big Themes present in it. Intelligent, frightening and very well-written, Dracula is the well-deserved godfather of all modern vriampe books and movies and arguably among the best.
Posted by: Yohan | July 04, 2012 at 01:08 PM