Let me be accurate in everything

5 November, morning.--Let me be accurate in everything, for though you and I have seen some strange things together, you may at the first think that I, Van Helsing, am mad. That the many horrors and the so long strain on nerves has at the last turn my brain.

All yesterday we travel, always getting closer to the mountains, and moving into a more and more wild and desert land. There are great, frowning precipices and much falling water, and Nature seem to have held sometime her carnival. Madam Mina still sleep and sleep. And though I did have hunger and appeased it, I could not waken her, even for food. I began to fear that the fatal spell of the place was upon her, tainted as she is with that Vampire baptism. "Well," said I to myself, "if it be that she sleep all the day, it shall also be that I do not sleep at night." As we travel on the rough road, for a road of an ancient and imperfect kind there was, I held down my head and slept.

Again I waked with a sense of guilt and of time passed, and found Madam Mina still sleeping, and the sun low down. But all was indeed changed. The frowning mountains seemed further away, and we were near the top of a steep rising hill, on summit of which was such a castle as Jonathan tell of in his diary. At once I exulted and feared. For now, for good or ill, the end was near.

I woke Madam Mina, and again tried to hypnotize her, but alas! unavailing till too late. Then, ere the great dark came upon us, for even after down sun the heavens reflected the gone sun on the snow, and all was for a time in a great twilight. I took out the horses and fed them in what shelter I could. Then I make a fire, and near it I make Madam Mina, now awake and more charming than ever, sit comfortable amid her rugs. I got ready food, but she would not eat, simply saying that she had not hunger. I did not press her, knowing her unavailingness. But I myself eat, for I must needs now be strong for all. Then, with the fear on me of what might be, I drew a ring so big for her comfort, round where Madam Mina sat. And over the ring I passed some of the wafer, and I broke it fine so that all was well guarded. She sat still all the time, so still as one dead. And she grew whiter and even whiter till the snow was not more pale, and no word she said. But when I drew near, she clung to me, and I could know that the poor soul shook her from head to feet with a tremor that was pain to feel.

I said to her presently, when she had grown more quiet, "Will you not come over to the fire?" for I wished to make a test of what she could. She rose obedient, but when she have made a step she stopped, and stood as one stricken."

"Why not go on?" I asked. She shook her head, and coming back, sat down in her place. Then, looking at me with open eyes, as of one waked from sleep, she said simply, "I cannot!" and remained silent. I rejoiced, for I knew that what she could not, none of those that we dreaded could. Though there might be danger to her body, yet her soul was safe!

Presently the horses began to scream, and tore at their tethers till I came to them and quieted them. When they did feel my hands on them, they whinnied low as in joy, and licked at my hands and were quiet for a time. Many times through the night did I come to them, till it arrive to the cold hour when all nature is at lowest, and every time my coming was with quiet of them. In the cold hour the fire began to die, and I was about stepping forth to replenish it, for now the snow came in flying sweeps and with it a chill mist. Even in the dark there was a light of some kind, as there ever is over snow, and it seemed as though the snow flurries and the wreaths of mist took shape as of women with trailing garments. All was in dead, grim silence only that the horses whinnied and cowered, as if in terror of the worst. I began to fear, horrible fears. But then came to me the sense of safety in that ring wherein I stood. I began too, to think that my imaginings were of the night, and the gloom, and the unrest that I have gone through, and all the terrible anxiety. It was as though my memories of all Jonathan's horrid experience were befooling me. For the snow flakes and the mist began to wheel and circle round, till I could get as though a shadowy glimpse of those women that would have kissed him. And then the horses cowered lower and lower, and moaned in terror as men do in pain. Even the madness of fright was not to them, so that they could break away. I feared for my dear Madam Mina when these weird figures drew near and circled round. I looked at her, but she sat calm, and smiled at me. When I would have stepped to the fire to replenish it, she caught me and held me back, and whispered, like a voice that one hears in a dream, so low it was."

"No! No! Do not go without. Here you are safe!"

I turned to her, and looking in her eyes said, "But you? It is for you that I fear!"

Whereat she laughed, a laugh low and unreal, and said, "Fear for me! Why fear for me? None safer in all the world from them than I am," and as I wondered at the meaning of her words, a puff of wind made the flame leap up, and I see the red scar on her forehead. Then, alas! I knew. Did I not, I would soon have learned, for the wheeling figures of mist and snow came closer, but keeping ever without the Holy circle. Then they began to materialize till, if God have not taken away my reason, for I saw it through my eyes. There were before me in actual flesh the same three women that Jonathan saw in the room, when they would have kissed his throat. I knew the swaying round forms, the bright hard eyes, the white teeth, the ruddy color, the voluptuous lips. They smiled ever at poor dear Madam Mina. And as their laugh came through the silence of the night, they twined their arms and pointed to her, and said in those so sweet tingling tones that Jonathan said were of the intolerable sweetness of the water glasses, "Come, sister. Come to us. Come!"

In fear I turned to my poor Madam Mina, and my heart with gladness leapt like flame. For oh! the terror in her sweet eyes, the repulsion, the horror, told a story to my heart that was all of hope. God be thanked she was not, yet of them. I seized some of the firewood which was by me, and holding out some of the Wafer, advanced on them towards the fire. They drew back before me, and laughed their low horrid laugh. I fed the fire, and feared them not. For I knew that we were safe within the ring, which she could not leave no more than they could enter. The horses had ceased to moan, and lay still on the ground. The snow fell on them softly, and they grew whiter. I knew that there was for the poor beasts no more of terror.

And so we remained till the red of the dawn began to fall through the snow gloom. I was desolate and afraid, and full of woe and terror. But when that beautiful sun began to climb the horizon life was to me again. At the first coming of the dawn the horrid figures melted in the whirling mist and snow. The wreaths of transparent gloom moved away towards the castle, and were lost.

Instinctively, with the dawn coming, I turned to Madam Mina, intending to hypnotize her. But she lay in a deep and sudden sleep, from which I could not wake her. I tried to hypnotize through her sleep, but she made no response, none at all, and the day broke. I fear yet to stir. I have made my fire and have seen the horses, they are all dead. Today I have much to do here, and I keep waiting till the sun is up high. For there may be places where I must go, where that sunlight, though snow and mist obscure it, will be to me a safety.

I will strengthen me with breakfast, and then I will do my terrible work. Madam Mina still sleeps, and God be thanked! She is calm in her sleep. . .

Comments

[Most Significant]

Van Helsing: "Then I make a fire, and near it I make Madam Mina, now awake and more charming than ever, sit comfortable amid her rugs...When I would have stepped to the fire to replenish it, she caught me and held me back, and whispered, like a voice that one hears in a dream, so low it was. ‘No! No! Do not go without. Here you are safe!’"

Once again, Van Helsing is a poor strategist. He puts his circle of crumbled Sacred Wafer around Mina, but not their campfire. In fact, the circle is far enough from the fire that he has to cross the circle to add firewood to the flames. No wonder Mina shivers--no doubt from equal parts of cold and fright!

If he had thought to equip himself with several of the “sacred bullets” that he mentioned back at the asylum, Van Helsing might have killed the vampire women then and there.

[Most Significant]

"I knew the swaying round forms, the bright hard eyes, the white teeth, the ruddy colour, the voluptuous lips."

Vampires are not pale but ruddy? The Count's complexion is repeatedly described as "waxen", and Jonathan's Castle Dracula journal doesn't describe the complexion of the vampire women at all, just the colour of their hair and lips. On the other hand, if the three women have just drunk the blood of the four carriage horses, they would probably be quite ruddy in complexion! (They might also be "bloated", as Jonathan observed with the Count in his box below the chapel.) However, to read Van Helsing's version of the story, the horses died of fright, not of exsanguination.

[Most Significant]

“…it seemed as though the snow flurries and the wreaths of mist took shape as of women with trailing garments.”
“…the wheeling figures of mist and snow came closer, but keeping ever without the Holy circle. Then they began to materialise till…there were before me in actual flesh the same three women that Jonathan saw in the room, when they would have kissed his throat.”

*sigh* Another moment that would be awesome in a movie. I won’t look at the next blizzard in the same way.

This also reminds me of the Japanese folktales about the “yuki onna” or snow woman: https://en.m.wikipedia.org/wiki/Yuki-onna